Colin Dye 2nd baritone horn, Reg Vardy Band

I've been a member of the Reg Vardy Band for over 40 years ... but last night in Durham Cathedral was one of the best and most moving concerts I've ever been part of. The musical style was quite difficult for the band to play. It was a departure from what we normally play. We're all amateurs and many of us are not even particularly well educated in music (including me), but to get to play some of the world's great music, directed by a top class conductor, alongside fantastic soloists was a privilege I wouldn't have missed!

Such an event obviously takes a tremendous amount of organisation, especially to achieve such a highly professional standard, and Lesley Ann must be congratulated for creating a superb evening.

Darkness to Light, Durham Cathedral, April 2015 

The Lidice Passion is an integrated dramatic cantata of reconciliation and forgiveness, by Julian Grant and librettist Stephen Plaice to be conducted by Alistair Dawes

The work is a contemporary response to the destruction of the Czech village of Lidice in 1942 in which all menfolk of the village were killed, the women transported to concentration camps and most of the children gassed. 

News of the atrocity spread rapidly. Funds for re-building the village quickly began to be raised during WW2, by English miners in Durham, Staffordshire and Cumbria and subsequently, by mining communities around the world. 

The piece will explore cultural and personal guilt and forgiveness, embodied in the living relationships between the characters and intertwining the dynamics of past and present to reveal the enduring power of reconciliation in resolving today's international conflicts.

IO has received enthusiastic expressions of support and interest from Chichester Cathedral, Durham Cathedral, the Prague-based Platform of European Memory and Conscience, the Centre for International Cultural Exchange (Germany) and the Bremen Reconciliation Institute.

The new work will have a suggested scoring for a chamber group of instrumentalists (approximately 12 players including both brass ensemble and orchestral instrumentalists) making the work easily adaptable to a wide variety of spaces and will embrace participatory opportunities for all age ranges. 

The solo voices will reflect the main protagonists, with smaller roles taken from a semi - chorus of experienced singers. The main chorus is written for singers of all ages and abilities from the community who represent groups from Germany, the Czech Republic and Durham.

InterOpera is currently seeking funding support for the development of this exciting project.